Rimsky Korsakov, Copland, and Brahms
David Bernard, Guest Conductor
Rimsky Korsakov
Capriccio Espagnol
Copland
Appalachian Spring
Brahms
Symphony No. 3
David Bernard, Guest Conductor
Rimsky Korsakov
Capriccio Espagnol
Copland
Appalachian Spring
Brahms
Symphony No. 3
Felipe Tristan, Guest Conductor
Verdi
Overture “La Forza Del Destino
Verdi
“Pace pace, mio Dio” from La Forza del Destino
Maria Brea, soprano
Leoncavallo
“Recitar!... Vesti la giubba" from I Pagliacci
Dane Suarez, tenor
Puccini
Duet: “O soave fanciulla” from La bohème
Maria Brea, soprano
Dane Suarez, tenor
Leoncavallo
"Qual fiamma avea nel guardo!” from I Pagliacci
Maria Brea, soprano
Puccini
"Nessun dorma" from Turandot
Dane Suarez, tenor
Tchaikovsky
Symphony No. 4
David BernardGuest Conductor
Stravinsky
“Firebird” Suite (1919)
Rimsky-Korsakov
Scheherazade
We welcome guest conductor David Bernard, music director of the Park Avenue Chamber Symphony, and an internationally-recognized conductor, to lead the orchestra in a program dedicated to storytelling through musical tone painting. The brilliant orchestration and vivid colors brimming from Stravinsky’s Firebird Suite depicts a tale of a prince freeing his beloved from the spell of an evil spirit. Rimsky-Korsakov’s “Scheherazade”, featuring the BSO’s co-concertmaster Hannah Finkelberg, depicts the powerful narratives of “The Arabian Nights”—including the alluring storyteller Scheherazade, shipwrecks, thieves and the bustling markets in ancient Baghdad—with a captivating combination of energy and passion.
Tchaikovsky
“Romeo and Juliet” Fantasy Overture
Felipe Tristan, BSO Assistant Conductor
Rimsky-Korsakov
Capriccio Espagnole
de Falla
El sombrero de tres picos (The Three-Cornered Hat or Le tricorne)
Ravel
Bolero
The BSO’s assistant conductor Felipe Tristan begins this program with Tchaikowsky’s musical depiction of Shakespeare’s tragedy – soaring love theme and swordfights included! Maestro Nick Armstrong continues with three Spanish-flavored works, the highly colorful “Capriccio Espagnole,” de Falla’s “El sombrero de tres picos ", and – bring on the snare drum players – Ravel’s “Bolero” which he described as one huge orchestral crescendo…. Shades of Rossini?